With the PGA Tour gamers facing rock-tough fairways at Chambers Bay this week, I went seeking out some assist on playing bump-and-run pictures. After searching at some one-of-a-kind ones, I determined this clip with Chris DiMarco hitting wedges off hardpan might be extra help for most of you.
I've grabbed multiple stills from the video. See the green square that Chris DiMarco is status on? (That's Charlie Rymer supervising.) That's a piece of plywood. The ground doesn't get tons more difficult than that!
DiMarco first hit a shot with the club face open, the way most of us would. The ball went dead right like a shank. We spend a lot of time working to use the bounce when we hit wedges but when you hit a wedge off hardpan you want to use the leading edge. Again, this is NOT what you do most of the time because you'll chunk a wedge shot if the ground is soft. This technique is for hardpan only.
DiMarco's keys are:
- Take a narrow stance.
- Get your hands forward, ahead of the ball.
- Keep the club face square.
Chris and Charlie go into considerable element about:
- how a properly-struck hardpan wedge should make a single sound, not a double sound as the ball bounces off the ground and into the ball, and
- how the amount of bounce on your wedge affects this shot, even though you're focusing on using the leading edge.
Relax, it's best approximately four mins lengthy.
Please understand that hitting wedge shots off hardpan and hitting bump-and-run photographs are NOT exactly the equal factor. There are number one variations:
- Bump-and-run shots aren't played with wedges; rather, you use short to mid-irons to play them. For example, you might use a 7-iron for a 50-60 yard bump-and-run.
- Your followthrough is much shorter on a bump-and-run, perhaps as little as 12-18 inches past the shot. As you can see in the video, DiMarco's finish is much fuller, waist high or more. The difference is that the bump-and-run is a low running shot while the hardpan wedge flies higher and stops quickly.
0 comments